>>bio<<

Adrienne Truscott has been performing in and creating diverse work in NYC for the last ten years. Her neo-vaudevillian collaboration with Tanya Gagne, The Wau Wau Sisters, was seen off-Broadway at the Ars Nova Theater and at the Edinburgh International Fringe Festival, where it won Best Cabaret 2004. Adrienne was a founding member of LAVA (1996-2003), Sarah East Johnson's Obie and Bessie Award-winning, circus-inspired dance company, where she assisted the choreographer and developed and education program which continues today.

As a choreogprapher or dancer, she has worked with the great Deborah Hay, David Neumann, Sarah Michelson, Jennifer Miller's Circus Amok, The Bindlestiff Family Circus, Julie Atlas Muz, Murray Hill and Russian ex-pat art pranksters Khomar and Melamid,as well as appearing in several films, including John Cameron Mitchell's "Shortbus".

Her choreographic work has been seen in NYC at Performance Space 122, Dixon Place, The Kitchen, The Flea Theater, at The Painted Bride and The Philadelphia Museum of Art in Philadelphia. Her cabaret & circus work has been presented by The Bowery Ballroom, CBGB's, The Palms Casino, The Henry Fonda Theater (LA), The Soho Revue Bar and The Hippodrome (London), and The World Buskers' Festival (New Zealand), as well as The Sharon Osbourne Show and The Jimmy Kimmel Show in the company of Ms. Gagne.

While her work spans many genres and versions of physicality, it is united by the belief and proof that most things are funny.



>>mission statement<<


Truscott uses text, set design and physical vocabulary, found or overheard, formal and mundane, to create abstract, existential narratives/installations. Her cast of ‘trained’ and ‘untrained’ dancers, the juxtaposition of which defies current vernaculars by insisting upon a rigor, both physical and intellectual, that is sufficient to keep both camps intrigued, creates a spontaneous and virtuosic pedestrianism. She attempts to confound herself and her co-performers in to a state of heightened awareness by making the hardest dances that, perhaps, anyone could do.

 
 

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